Clare Teal
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Jazz Diva!
We've seen the future of that Jazzy stuff
and she comes from...Yorkshire!
Neil Davey has a quiet chat with Clare Teal.
_____________________
A
couple of weeks ago, The Observer picked Clare Teal's debut album
'That's The Way It Is' as their jazz CD of the week, and a very
good choice it was too. It was also a rather unusual choice as
the album has been out since June 2001. Still, better late than
never and at least that bizarre element is in-keeping with much
of Clare's musical career.
From
perhaps unlikely origins "a tiny village in the middle
of nowhere, Yorkshire" and some early non-musical career
expectations "I thought I¹d be working in a bank"
the delightfully self-deprecating Clare "on my business
card I wrote Clare Teal Jazz Diva" has become one of
the UK's most promising performers. She's a fine singer, writes
a lot of her own material and has a terrific personality if
you need a 'shorthand' description, think Ella Fitgerald meets
Victoria Wood. The path Clare took to get there though involved
impersonations, jingles, a song for Crewe Alexandra FC and 'early'
retirement. And she's still only in her twenties. "Yes, agrees
Clare, chirpily. "It is rather bizarre isn't it?"
Obviously
Clare must have started young. In fact, she started very young
at the age of three.
"I
think all kids sing from the age of three," explains Clare,
"but, without wanting to sound prima donna-ish, I knew I
could sing in tune. We went to Bridlington on holiday and it rained
so my dad took us to some big concert hall and the bloke on the
Wurlitzer came out and started playing 'In The Good Old Summertime'
and I sat on my dad's knee singing away and ended up going on
stage and getting a prize." She laughs before adding hurriedly,
"I wasn't normally that precocious!
"Then
I had this horrible shy phase. I found this trunk of 78s in
the attic as clichéd as it sounds! and nobody saw me for about
six years! There was Judy Garland, Doris Day, Glenn Miller, Nat
King Cole, a lot of Fred Astaire... Just the really popular mainstream
stuff and I used to mimic the singers. But it was so private to
me. My dad knew I could sing even though I never did sing in front
of anyone and he wasn't creepy by any means I did once catch
him outside my bedroom window with a tape recorder!" If that
all sounds oddly familiar to you, you're not alone, as Clare happily
acknowledges.
"I
saw Little Voice when it came out and it scared the shit out of
me," she laughs, "because I WAS as weird as that!"
She pauses. "Well, short of the pigeon fancying. But certainly
the impressions and the old records. Iremember my mum dragging
me into Woolworths and saying "look, I'll give you the money,
just please buy something modern!" I'd be in the Easy Listening
section. I got into jazz and fell fast and hard."
After a
few years of playing the clarinet and the piano, Clare decided
she wanted to go to university and study music. She still hadn't
really sung in public though but that was about to change.
"It
was the last concert at school and we thought it'd be really funny
to do a couple of songs. We did 'Mad Dogs & Englishmen' and 'I
Got You Babe' and we dressed up for both. All these mothers had
come along expecting squeaky Mozart, and we sat there as camp
as you like, singing away. The music stopped... and nobody clapped!
But it was then that I thought I could sing in front of people"
|
CLARE
TEAL
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| "I saw Little Voice when it came
out it scared the shit out of me - because I WAS as wierd
as that!"" |
"So
I went to University. And I found that I could get a lot of my
degree done in practical work so I didn't have to write many essays.
Then I decided it was even easier to sing, so I did a few pieces
where I'd sing and I started enjoying it."
After University,
Clare kept gigging and worked as a jingle writer and "soundy-likey"
before finally settling in Bath where she came to a major decision.
"I
decided to retire," admits Clare. "I thought there
was no future in jazz... And then I got a call out of the blue
from Martin Litton, my pianist, saying that Stacey Kent had pulled
out of a weekend festival and could I stand in? I said yes, but
I was terrified! I knew Martin but I didn't know any of the players,
I didn't have any arrangements I'd just given him a list of
songs and keys! Anyway we got there and I discovered I'm headlining
the whole festival! They were all expecting Stacey and they got
me!
"But
it went really well. Mandy, my manager, said we've got to get
these guys playing again, so we went into the studio and did a
demo, with the aim of raising the profile of the band for gigging
and we sent ten off to various people, festivals and such, and
one to Candid Records. I said to Mandy 'they won't be interested,
they've got Stacey!' but we got signed to a three album deal.
And we've heard it's going very well in Taiwan." She grins.
"So I'm thinking of calling the next album 'Made In...'!"
"That's
The Way It Is" is out now on Candid Records.
Clare Teal and her band play The Bull's Head, 373 Lonsdale Road,
SW13 (020 8876 5241) on the second Friday of every month.
This
piece courtesy of the very wonderful people at Footloose Magazine.