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"The Shed. The best lean to
I've ever been to"

Ayup never goes reviewing. So who was that wandering lost amongst the sheep farms of Brawby? Was it? Never!!

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The wonderful thing about a truly uplifting live event is that you can't see it coming. Gigs, concerts, shows, plays, are put on in all sorts of expectant spaces. Squatted in old ambulance stations on forgotten South London arteries. Staged within grand old Opera Houses dripping with opulence on Unter Der Linden or Operngasse. Sunk deep inside stinking inner city basement night-spots. The venue itself rarely plays a part directly in this experience. Not at first.

I'm walking down a country lane in the Rydale Valley miles from anywhere looking for The Shed. A venue. I've been walking for nearly a mile without a single car passing. Pheasants burst into life along darkened hedgerows, and flap away grumbling at the intrusion. It's very quiet and peaceful. Farm buildings rustle with livestock settling down for the night and yawning barns cast deep shadows on the road. No streetlights. No signs of life.

Finally Brawby Village Hall. A tiny two windowed building behind a picket fence. The first man I see is Simon Thackray, the man behind the phenomenon that would unfold inside the hall's dark doorway. It was then that I realise that the quiet was deceptive and all sense of scale fell away. A room full of laughter and candlelight and a band of sorts on stage. I was late. Well, if you can be late in a place like this. Lets just say I was lagging behind.

Rory Motion and the Hardly Everly Brothers

link:

The Shed homepage

I squeezed in at the back. The man on stage was already in full flow. Rory Motion is already a legend round these parts, of course . He has a rare ability to talk to an audience and to move like a chameleon through all sorts of guises. There he is already slipping in some sly Doors reference into the first of many road songs. A Woodie Guthrie who never got further than mid Wales, a heart firmly rooted in Yorkshire tarmac.

His poems, songs and observations, I know already, are very East Yorkshire. As a wezzie whose childhood was punctuated by the annual eastern pilgrimage up the A64 to Scarborough I'm a latecomer to all this. I'm lost without a bus route, a coal tip or a foundry. Hopeless without football or a rugger posts framing the landscape. Here Rory and his band speak of heartland Yorkshire. The one people fight battles for. The Yorkshire you can lose yourself in even if you know where you're going. Where local buses are bound for glory, on a higher spiritual plain, as rare as diamonds. Never just going down't shops.

Then man on stage is suddenly Captain Beefheart letting the note float. Then he's Bob Dylan with a Butterwick Girl on his mind. Then he's off on some existential odyssey out in the far east. Norfolk. Then he's back home playing his dad's steam-driven Fender Tadcaster. We're with him all the way. Finally he leaves us with his own spin on Albert and the Lion - a gleeful romp round the back tents of Glastonbury with our Albert getting freaked out - and the evening is over.

I talk to folk and it seems that what Rory has got going here is no fluke. It happens time and time again. Here is a little stone building with a great big heart. It leaves you feeling good about the place you are and who you are. There's a very special warmth emanating from somewhere and it's felt by artist and audience who seem to know just what a remarkable place The Shed is. It's not a feeling easily forgotten. You want to come back.

Later, as the hall sheds the last of the revellers and gets used to being a village hall again I'm left marvelling at the capacity for music and poetry and laughter to lift the spirit. Wondering about how a great event can occur anywhere at all if people put their minds to it. I left with the tiny stone building that is Brawby Village Hall - Shed for a night, grand capacity 70 - back where it was before. I wandered out into the quiet night air. In the middle of nowhere and the centre of the universe.

Serves me right for having that final glass of Newky for the road. By gum it were dark out.

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"You can tell a Yorkshireman...
But you can't tell him MUCH..."

RORY MOTION

Roy Stone

 

BUILDING THE SHED

 

About Yorkshire Puddings and Boat Races

There's an art to building a good Shed

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The legend began back in '92 with a Kora player from Gambia who found himself at Kirkby Misperton Church. Simon Thackray's Shed Art Centre was born soon after and has now grown into an centre of international renown. Labe Siffre, Tom Robinson, Hank Wangford, John Otway and The Stranglers' Hugh Cornwell have all made it out to the wilds beyond Malton to play in front of the famous Shed door. And they all seem to have loved every minute of it.

The Shed door made it all the way to the Queen Elizabeth Hall on London's South Bank with a Kevin Coyne and David Thomas double bill, yet the centre remains firmly rooted in the Brawby Earth. If the door gets to travel now and again, the Shed's four walls stay put. This is what gives Britain's smallest venue the edge over more prestigious arts organisations - Simon Thackray's capacity for reinvention whilst avoiding having to rebuild the shed on firmer soil. Besides, people are beating a path to his door anyway.

 

 

 

northerner@ayup.co.uk

AYUP MAGAZINE - THE BEST OF YORKSHIRE

 

 

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